"You do mean literally everything, to the last little miniature on the last little screen?" "How should I have? I'm not in their counsels."!

Fleda looked very blank. "What on earth am I to see him for?" "I didn't ask very much," said her companion. "He has been gone some time. The great thing seemed to be to understand clearly that he wouldn't be content with anything less than what he mentioned."

It was a great relief to the girl at last to perceive that the dreadful move would really be made. What might happen if it shouldn't had been from the first indefinite. It was absurd to pretend that any violence was probable—a tussel, dishevelment, shrieks; yet Fleda had an imagination of a drama, a "great scene," a thing, somehow, of indignity and misery, of wounds inflicted and received, in which indeed, though Mrs. Gereth's presence, with movements and sounds, loomed large to her, Owen remained indistinct and on the whole unaggressive. He wouldn't be there with a cigarette in his teeth, very handsome and insolently quiet: that was only the way he would be in a novel, across whose interesting page some such figure, as she half closed her eyes, seemed to her to walk. Fleda had rather, and indeed with shame, a confused, pitying vision of Mrs. Gereth with her great scene left in a manner on her hands, Mrs. Gereth missing her effect and having to appear merely hot and injured and in the wrong. The symptoms that she would be spared even that spectacle resided not so much, through the chambers of Poynton, in an air of concentration as in the hum of buzzing alternatives. There was no common preparation, but one day, at the turn of a corridor, she found her hostess standing very still, with the hanging hands of an invalid and the active eyes of an adventurer. These eyes appeared to Fleda to meet her own with a strange, dim bravado, and there was a silence, almost awkward, before either of the friends spoke. The girl afterwards thought of the moment as one in which her hostess mutely accused her of an accusation, meeting it, however, at the same time, by a kind of defiant acceptance. Yet it was with mere melancholy candor that Mrs. Gereth at last sighingly exclaimed: "I'm thinking over what I had better take!" Fleda could have embraced her for this virtual promise of a concession, the announcement that she had finally accepted the problem of knocking together a shelter with the small salvage of the wreck. Like lightning he had grasped her arm. "You mean you will talk of them?" Then as he began to take the flood of assent from her eyes: "You will listen to me? Oh, you dear, you dear—when, when?" She was not so stupid as not to see that something, though she scarcely knew what, was expected of her that she couldn't give; and the only mode her intelligence suggested of meeting the expectation was to plant her big feet and pull another way. Mrs. Gereth wanted her to rise, somehow or somewhere, and was prepared to hate her if she didn't: very well, she couldn't, she wouldn't rise; she already moved at the altitude that suited her, and was able to see that, since she was exposed to the hatred, she might at least enjoy the calm. The smallest trouble, for a girl with no nonsense about her, was to earn what she incurred; so that, a dim instinct teaching her she would earn it best by not being effusive, and combining with the conviction that she now held Owen, and therefore the place, she had the pleasure of her honesty as well as of her security. Didn't her very honesty lead her to be belligerently blank about Poynton, inasmuch as it was just Poynton that was forced upon her as a subject for effusiveness? Such subjects, to Mona Brigstock, had an air almost of indecency, and the house became uncanny to her through such an appeal—an appeal that, somewhere in the twilight of her being, as Fleda was sure, she thanked heaven she was the girl stiffly to draw back from. She was a person whom pressure at a given point infallibly caused to expand in the wrong place instead of, as it is usually administered in the hope of doing, the right one. Her mother, to make up for this, broke out universally, pronounced everything "most striking," and was visibly happy that Owen's captor should be so far on the way to strike: but she jarred upon Mrs. Gereth by her formula of admiration, which was that anything she looked at was "in the style" of something else. This was to show how much she had seen, but it only showed she had seen nothing; everything at Poynton was in the style of Poynton, and poor Mrs. Brigstock, who at least was determined to rise, and had brought with her a trophy of her journey, a "lady's magazine" purchased at the station, a horrible thing with patterns for antimacassars, which, as it was quite new, the first number, and seemed so clever, she kindly offered to leave for the house, was in the style of a vulgar old woman who wore silver jewelry and tried to pass off a gross avidity as a sense of the beautiful.